PALE GROUND, Studio2 at Robinwood Mill, Todmorden. Materials: Gesso wall with blue chalk line (marble dust & hide glue); Gritstone silt with pigment; Glazed Ceramic; Leather cord; Tulip Wood; Sheepskin coats; Lycra; Tights; Goat hide; Baling twine; Muscovite/Golden Mica; Gritstone pillars: Siliceous sandstone containing Calcite, Clay Minerals, Quartz, Feldspar, Mica. 2023 (accompanying exhibition catalogue with essays by Tim Ingold and Kelly Loughlin).
Read Tim Ingold essay here
Read Kelly Loughlin essay here
Act Seven: Paler, Blinder. Punctured wall, exposed fixtures, concrete ramps, bent pink neon, flickering gold neon knot, electronic flicker box, pink vinyl, yellow translucent vinyl, metal frame, bungee cord, internal mattress filling, 2019
Trembles & Stutters. Painted brass rods penetrating the wall, cord, neon light. (Bl/Wh photograph by Mary Maclean) 2017
Unsaid. So-said. Missaid. Tights, lycra, flickering neon squiggle, electronic flicker box, rope, metal trestles, graphite paint, black latex, plinth. 2019
A Cloud, a Fog, a Blur. Coloured smoke, pyrotechnic device, acetate, fringe curtain, tape, polystyrene, pink dust, 2 x neon’s, lycra, rope, copper, clay.
Kiss Kiss Bang Bang. Neon, metal, latex, timber, fabric, balloon 2019
Between Painting & Place. Bent neon, rolled blanket, curtain wire, edge of a black silkscarf.
Spatial Painting 1. Ikea chair, acetate, striped fabric, tape, found plastic form. 2014
Untitled / temporary painting (APT Gallery, London). Pyrotechnics, yellow dust.